Showing posts with label 2002. Show all posts
Showing posts with label 2002. Show all posts

Friday

Things to Do with Kerosene (2002)




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Things To Do With
Kerosene



A Consideration

These poems are created from the Handy Hints at the back of Aunt Daisy's Cookery Book. I began the collation while writing another work. There was need for a restorative change of subject, but I soon found they could not be treated lightly – the hints have too serious an intent. While some are bizarre, zany, even dangerous to the user, there is always more to them than one might think.

They come from the thinking of the 1940's and 50's, when we were moving out from a time of deprivation.

Look, says Aunt Daisy, here are ways to smarten up, to paint to gloss to make things new, and to prepare yourselves for better days.

There's a sort of piety here, a kindness, a scent of grace, as well as turps meths ammonia nail polish remover and kerosene. Here are the means for dignity.

Leicester Kyle,
Oct. 2002.



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Preface
Bright sadness
of late sun after
rain all day

Trees are wet
the road’s awash
and nothing will dry
before dark

There’s still a way to go
and when I’m home
there’s wood to cut
the dog to feed
the fire to set for guests
What will there be —
has rain got in
the tank run dry
what can there be for tea?

And to do
before they arrive!
Sweeping cooking fixing
and making good!

How will I go?



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1.

Adhesive Tape:sponge with kerosene, and wash in warm
soapy water.


The stickiness left

Glue that holds the stuff of life
together

The paste of space
of which galactic gems are made
that draws the universal dust
and rolls it into planetary spheres
coagulant

It messes in the house
gathers fluff and dust remnant
from the last removal when
we fled a sphere of activity
for this of influence

You can use carbon tetrachloride instead of kerosene, but use sparingly.



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2.

Bath, Stained:make a paste of kerosene and whitening, or
soap powder, and leave on the stain for some
hours. Rub off and wash with kerosene.
Finally rinse with clear water.


These evidences of age of use
in a pre-loved house —

brass taps coppers blue-glass panes
black hydrangea wall-paper
and baths as old as verandahs

gone yellow green and blue
basin and bath

The water is brown
from the pakihi
and will stain you too
inside and out

your body turned to leather
like those dug up in Denmark

You shall live on and on
cured for eternity
not conscious
but coloured conspicuous
and alive

Cream-of-tartar and peroxide will also make an effective paste.

A weak solution of oxalic acid will remove rust marks.

Salt and vinegar mixed may take the blue stain from under the tap.

Rinse thoroughly.




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3.

Blacklead on Hands:rub sugar and kerosene in, then
wash.


and wash again

rub soften sweeten
and rub again
as one might with words
in an inflamed situation
but
be careful to keep to the rules —

use soft brown sugar
raw sugar
make a paste with the kerosene
and rub it on the hands
again and again
insinuate
into the cracks
mollify
suggest
impugn
and let it all wash over one

It’s best to do this while you’re having a bath, so that your
hands can soak; then the lead will come away more easily from
under the nails.




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4.

Boards, to Whiten:wash with kerosene in the water.

Chopping boards
wooden sink-tops
kitchen tables
benches where you roll the dough
tubs
and a tool called a scrubbing-board
from deep-shaded past

when there were bone-handled knives
a thing on the table
with a name like an arpeggio
and the archaic luxury
of going soon to bed

where there were moreporks
on the roof
rats in the wall
starlings in the attic

and a ghost like water running
where it should not be

or:1. scrub with coal-ash.
2. use the blue water from the washing.
3. scrub with 1 part lime to 3 parts sand.
4. rub with lemon-skins.
5. apply a weak solution of oxalic acid.
The lime and sand works best if you’ve the time



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5.

Boots, Working, to soften:soak the boots in kerosene, then
give them a dressing of neatsfoot
oil which softens the leather.


To the foot
moulding at heel and arch
spreading to the toe
to hold

For on the foot it all depends
and must be kept in form
fragrant
no murmur
nor grudge
against the neat
its foot

Though it may do no good
to the stitching
for things immersed in an alien element
often come apart at the seams

As with wine
in skins

decayed by the discrepancy

castor oil will do instead of the neatsfoot; it is best used warm



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6.

Bottle, to Cut:

I will try to keep to the fact

A lively earnest and ready mind as mine
is easily moved over to hyperbole

It works in this wise —
to cut a bottle or demijohn
wind some knitting wool
round at the cutting point-
about half an inch of it

Pour kerosene on the wool
till it is soaked

Light it,
and when nearly burnt out
upend the bottle in cold water

The top will come off neatly
Hold with care —
you will be given a jar

Don’t do this in the house — perhaps in the wash-house by the
tub.

Leave the outside door open.

Don’t use petrol instead of the kerosene.



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7.

Cement in Clothes:wash or soak in water containing
vinegar — about a cupful to each tub
of water. Then soak in water
containing kerosene and soap powder


It’s amazing
it crumbles out
these clothes
that were stiff as a board from the dust
and were set in their ways to the wearer’s disgust
are freed from rigidity
to move at the call
of limb and joint

It’s mystery
it’s alchemy—
stone is given life again
pants can be inhabited
overalls be worn—
by means of kerosene
and vinegar
and soap

Socks that stood solid
on the back porch floor
can now be fitted on the foot
put in the boot

I vouch for the efficacy

salt will do instead of vinegar — a handful to a gallon

flush the tub after, to clear dust from the pipes




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8.

Chewing Gum, to remove:soak the gum in kerosene.

An element of force it has
enough within of fire and
of water one to solve dissolve
remove wash burn the dis-
card of the unclean sweet of
pacification

  • spat out upon the floor
  • trod into path and step
  • stuck underneath the
    table chair the door-
    knob in the longdrop
    where it moulders
  • smeared in the mat
By kerosene removed

So simple a simple

As well by eucalyptus
methylated spirits
vegetable turps

if you have a fridge rub first with ice

then scrape off as much as possible and it will remove
more easily



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9.

Coal Dust, or Slack: to use —


Brickettes —

to each dustpan full
use:
1 teacup of kerosene
¼ pan of sawdust
5oz. flour
½ pint cold water
1 pint boiling water
Paste the flour and cold water
Stir in the hot and
Boil till thick

Mix with the kerosene
Stir in the sawdust
Add enough slack to
Make a stiff mixture

Form into balls and dry

There are other means:
washing soda with the dust,
or sugar

put the mix in paper bags
and use to bank the fire

or sprinkle on the fire from a shovel



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10.

Crayon
, on Frocks:cover with kerosene, roll up and leave
for a day. Wash in warm soapy water
and a few drops of household
ammonia.

To dissolve —
not conceal —
by translucid liquid
which itself won’t stain

But will search out
offensive particles
of wax

and cancel colours
which misdirect
the patterns of the day
the forethought
choice

to make suns run
men smile
and opposition fade

I use none other

Try —1. A warm iron on blotting paper
2. Bicycle puncture solution;
when dry it will peel off
bringing the colour with it




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11.

Dyemarks, to Remove:Boil with a cupful of Kerosene in the
water, then soak with the stained
parts on top. Cover the stains with
bicarbonate of soda till the marks
disappear.


Compose yourself
still the mind
it helps to say a mantra —
the names of your children
in euphonious disorder
the tasks ahead in priority
while the stains disappear —

and they will

As sure as that crumbs do grow
at the bottom of the fridge
so these stains will fade

Blot by blot they will diminish
white as a polar night
your linen will be

A summer night

White and bright

white things may be bleached

tartaric acid may be used

test on a spare piece first




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12.

Enamel or Porcelain: to clean — have a saucer full of
common salt, and add a little kerosene.
Dip a cloth in, and rub over porcelain
or enamel, using plenty of ‘elbow
grease’. Rinse and polish.


We have no proof that life will end —
only precedent

Space is the order of material things
and their connection with each other

Time is the ordering of events
caused by the presence of matter

The whole of life is a flight from youth
to the establishment of precedent

So this receipt’s for someone old and wise
who knows.

Turps will do it just as well
and any other soluble salt

or commercial agent



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13.

Fleas:fleas usually live in the sand or dust beneath the house.
Wash door, steps etc. with kerosene.


By invitation only
is there entrance to the house

Guests may come
with music food and stubbies
to hand

The rellies roll a barbecue

Neighbours call
with news to please

Connections in high places

But —
the doorstep’s washed in kerosene!

No pest will plague
and no plague pester

it is advisable to pay particular attention to cracks between floor-boards and skirting boards

a clean-out of rubbish from under the house is also a good idea




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14.

Flour Bags: to remove markings — rub in kerosene, leave
for a while, then boil.


To cut
the brand
from the cloth

and the race be run
without cachet

These bags have their uses —

but who would run with
Flemming’s Finest
Chelsea Sugar
Sure To Rise


on front
or back
of the shorts

It would be a boast

if residual marks are left on the shorts:
cover with dripping
and rub together with the hands
leave 24 hours
then wash in hot soapy water




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15.

Grass Stains:soak in Kerosene, then wash in warm soapy
water


Green
though it be so clean
must stay with the leaf

Like dirt
with the soil

And oil
with the car

Flowers
in the vase

It is in the being
of soap and Kerosene
to keep things in their order

When you or I
stray where we oughtn’t
these are the agents
cleansing and restorative
that God will use
to re-place us

You can also:
  • sponge with meths
  • soak in glycerine and egg
  • cover with cream of tartar
  • smear with treacle
  • salt and tartaric acid

after all these wash,
then dry in the sun




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16.

Lamp, Kerosene:keep a bucket of sand handy in case of fire.
Water is no use with oil, but sand
extinguishes the fire immediately.


Light can turn enemy
the lamp leveller
in fire dark and smoke

sand saves

which is a message from Montaigne
on wisdom —

to go with nature
who is a gentle guide
to those who don’t rebel

Do not confound her remedies
with extravagancy
an extinguisher
or a hose

Observe creation’s worth —

use one element
upon another

NOTE:
place the bucket out of common reach
lest someone smoke or spit
and be contaminant




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17.

Lead Floor: to clean — rub with Kerosene.

Tie a soaked cloth to a mop,
perhaps,
and do it standing.

Or get down on your hands and knees
and rub if you must,
as if you were sanding.

Best work out a way to polish
the floor
from a distance.

You will get a fine reflective gloss
and glose
with firm persistence.

Don’t worry or get in a bind
— that would be sad,

For lead if you let it gets on your mind
— and makes you mad.

and then wash with hot soapy water

a dull surface is appropriate to the metal



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18.

Maori Bugs:Each day, spray the places where they come with
kerosene. Place chloride of lime in little tin lids in
several corners round the place.


Put candles
make an altar
stand each day to give a thought
for the resonance
the others to come —

Stick bugs at night
to hang on the curtain rail
and click at the dog

Black Arachnids
from the coal
that come tarantula
over the mat

Others brown
like scorpions
and run in the sheets

Huhus at the window
under the door
scramble prickly

Giant snails in the shed
shining

Pray for the creatures

Pray for them all

Platyzosteria novaeseelandiae, the Black Stinkroach, or
Kekerengu, produces an objectionable smell when alarmed.




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19.

Mason Bees:to prevent Mason Bees from building in the
ceiling, saturate a large duster with Kerosene
and wipe all over the ceiling. This will also
clean the ceiling.


Though when the bees have gone
back come the spiders
which masons catch
and store in clay cells
in equability

of temperature and dryness
for their grubs

Nature is a pest
it infiltrates in crumbs of clay
and pickled corpses
patinas of mould
flat things that scuttle
damp things that slide

Be forearmed —
dust mop and saturate
make it domesticate

the Masonic Apron may be cleaned with warm soapy water and a little ammonia

it may be worked with powdered chalk to keep it soft




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20.

Mildew Stains:
3. soak in Kerosene for 24 hours then wash.

As for a soiled cloth
in water warm with soap
and it will come as clean and white
and uncorrupted though



Don’t be deceived —
it still decays in other ways:

By slow disintegrating age
it loses thread
By power of ultraviolet sun
it slackens and
falls apart to dust
By use it wears

Countless other forms of life
attack it —
insect mammal mould
and microscopic
Yourself
before you die
should get some life out of it

if new and slight
wash in soap and water
and dry in the sun

if on white cotton
use Jovelle Water
(see under J)



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21.

Moths: 1.

Mix and shake well
4oz. pyrethrum powder
in one quart Kerosene.

Stand
for about 8 hours

And add about 10c worth
synthetic oil of wintergreen

Spray the carpets with this
but nothing else

It is a volatile thing
and moths are serious

They breed in the fabric of life

Their lust for the thread
is metaphor

I confidently affirm this


2. turpentine will keep them out
3. put a cake of camphor in
4. dust things with napthalene




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22.

Overalls, greasy:


Wash in a bucket of water
with a teacup of Kerosene

Wring out and rinse in
hot soapy water and soap powder
soda and ammonia

repeat 3 or 4 times

Rinse well
and hang out
to dry

or in a safer place
where there is no grease
nor chemical peril
where you wear clothes
to stay immaculate

Cut your hair
do your nails
scrub yourself with sugar soap
then take a white collar job

Modernise
Be dandiacle
Go clean

for a perfect finish: after pressing
hang out in the sun



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23.

Saucepans:


If dirty from an open fire
put them in a kerosene tin
and cover with cold water

Add 2lbs of cooking salt

Bring slowly to the boil
and simmer for some time

When cold clean
with pot cleaner
sandsoap
and ‘elbow grease’
which is a catalyst
on crusted tar
dissolves and dislodges
to flakiness

reducing black to a minimum
on steel or aluminium

then put your pans upon the rack

None will know you’re colonial
and like to cook on the fire
when you’re alone and all
will praise your kitchen economy

if the saucepan is burnt
cook vinegar in it
or put it in the fowl run
with milk in it
(the chooks will peck it clean)



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24.

Silver: tarnished —if silver is disfigured with black spots,
rub on a mixture of precipitated chalk
and kerosene. Leave to dry, then wash in
boiling water.


A scrub and a polish
does nothing any harm

Possessions are like pets
to be tamed
into the manner of the house

In time
they will reflect it

There, you will say
on seeing a spoon —
is a house with a pride

And on seeing an epergne —
is a house with a style

It is an aura
or an affect
that our belongings grow

And their reflection
is of us

or use aluminium salt and soda

or a good silver polish

never use rubber bands

nor put ivory-handled knives into hot water




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25.

Skins, to cure —

  1. Calf cow and deer skin.

    Scrape skins clean
    stretch on floor
    tack into place

    Rub with Kerosene
    till wet all over
    then rub on baking soda

    Form a paste
    leave for 2 or 3 days

    Rub all over
    with a brick
    until pliable

    The fleshy bits
    should come off

    The skin be smooth

    Wear or otherwise use

there are also goat and other skins



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26.

Stove Polish: (for old-fashioned ranges) —

  1. Mix equal parts of boiled linseed oil,
    kerosene, and vinegar. Apply to warm stove.

Who would say no
to a black iron stove with fire,
not give all it asks,
a thing believed beloved?

It boxes the envious flame
and directs it,
this to the pots
that to the pipes
and all that’s left out into the house,
drying and warming
as the wild wind sweeps across the moor.

O comfort of my wish and will!
Who would not give you wood
oil vinegar wax and turps
blacklead bluestone if it helps
as well as Kerosene?

I endorse this product.

2. 4 cakes blacklead
3 spoons floorwax
1 cup turpentine
mix well together
this mixture will shine the stove




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27.

Tiles:instead of using water, clean hearth tiles with a cloth
moistened with Kerosene, turpentine or skim milk.


A fire is the edge of the abyss
the ungovernable governed
and must look well
must be presented
not spit or spark
be kept in bounds
and keep its place
like a dog trained or a cat

else
like a cat
a flame might jump
to where it should not be
lick at this
or that

and desolate


a furniture cream is also good

hot coals burn the polish




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28.

Varnish: to clean —rub with equal parts of raw linseed
oil and kerosene.


On polished parts
on arm and leg
and on the rimu floor

Pull up the carpet
polish under

and stand in reflection

At your feet will lie
the image of your world
glossed

returned
as once it might have been

restored
in knot and grain
by Kerosene

We recommend
with confidence

or mineral turps
which is not as good as Kerosene
which has more oil in it




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29.

Xylonite: to clean — mix with equal parts of methylated
spirits Kerosene and water. Rub on,
then polish with a dry cloth.


Some things, my dear —

This thing is like this
that instantly and in itself
it was

Forgotten now
it for an instant was
an element
which we made exact
with a word of our own

And have lost
though it is there —
an elegance
in shops that sell imperfect verities

There —
whose owner is always away for the day
in tact

For what once was
is another thing now

xylonite. 1869.

[ irreg. f. Gr. xylon-wood + ITE ]
A proprietary name for
CELLULOID




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EPILOGUE

You’ve probably a modern house
Fresh dry bright and sharp-edged corners
Without a trace of borer rot or mould in dark-stain patches
Sound-founded level and with contemporary spouting
Close-fitting doors no draughts small dust dry drawers
And cupboards with no mice
Your water most probably runs all the time
And your electricity’s not chewed by rats
When it rains you’re not frightened
Wind doesn’t suck your windows out
And it’s most likely that your whiteware is not in a shed out the back

You probably spend money to save time

Your car is in a garage
With warrant and on the register
You spray to keep your garden clean
You grow popular things

There’s no kerosene in the house
Nor turpentine as you don’t paint
No stain-remover
Broken things — you buy another
And you shower

There’s no peace there’s always noise
You’re not really fit as you don’t have to do very much
But you’ve freedom of choice
And variety
You’ve plumbers mechanics men to repair the appliances
Easy terms and purchase rights
Your dignity is hired paid-for bought
Comfort assured by multiple means
Security assurred

And above any loss
Beyond the inexplicit burden of dependence vanished craft
Is the lightness of the load removed
That you don’t have to make things go



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Published by Heteropholis Press, with the generous assistance of the Buller Community Arts Council.

Further copies may be obtained from P.O. Box 367, Westport, Buller, New Zealand.

© L. H. Kyle
ISBN 0-473-08963-7



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© Leicester Kyle, October 2002



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Thursday

Dun Huang Aesthetic Dance (2002)




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1. Fa Hwa Sutra Story

(from cave 45, Mogao Grottoes)


The sculptures in the niche of Cave 45 are
masterpieces from Tang Dynasty. It is the
art treasure. On southern side there are
Anada, Bodhisattva and heavenly King.
On northern there are Dacabala-Kacyapa
Bodhisattva and heavenly King.

Buddha is sitting in the middle. Ananda
is young however Dacabala-Kacyapa is
old.

They both become a strong comparison.
Bodhisattva are calm and easy and stand
elegant. Heavenly kings show their mighty
and stand with a tremendous momentum.

It could have been done
expert and particular
on the run

Though harried by the hour
and distraught

Harried by instinct
too and tinctured
in all our parts
by lusts for more

and set upon
from all four
corners of experience

in newness
that the world was fresh
in pasture still

and we in strength upon it

the first
in this field
of our own




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2. Heaven Palace Music and Dance

(from cave 288, Mugao Grottoes)


During the earliest Dun Huang period
in one of Bei Liangs cave heaven palace
music and dance already appear. It last-
ed the entire dynasties in China. All
the dancers stand beside an arch-shape
pole & start to dance. This is the dance
and music for praising Buddha in west-
ern world.

When the dancers dance, they hold mus
-ical instruments in their hands. As
they play the musical instrument they
dance as well, both separately and to-
gether.


With thought and work
it could have been
that we became the type
but now this tiredness

Too weary now to see
on looking back

where we were out of step

The sets were right
the house the job the family
for support
and we were all the way on top

it seemed we managed
set the tone
and showed them

A good agenda
for our age
and wise

with appropriate philosophy
dignified riposte
modesty
and charm

A long sad time it was
slowly taking shape
under weather




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3. Thousand Hands Avalokitecvara

(from cave 3, Mogao Grottoes)


Thousand Hands Avalokitecvara, the
full name is thousand hand thousand
eyes Avalokitecvara. She heard thous-
and hand sutra then she grew up thous-
and hands and thousand eyes. Because
she have thousand eyes, she can watch
out the suffering of people. Because she
have thousand hands, she can save all
people.

The dance of thousand hands Avalo-
is composed of many persons. Through
the variation of dance and hand posture
present the mercy and love of Avalokit-
ecvara to all beings.


I no longer feel embarrassed

Over-all it worked
we had our children
ran the house
attended the lost
in their sanctity

Out of error
some good came
it’s said in the letters
and long-after visits
of comfort meant and received

It’s you and me I think of
and the kids

With both of us in business
tired and pressed
and never stopped

each and the other invariable
as day and night succeeded
to the inevitable

of age
and a time of review




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4. Heavenly Angel Scarf Dance

(from cave 220, Mogao Grottoes)


Heavenly Angel Scarf dance is from
Mo Gao Cave Number 220 cave.
Heavenly Angel Scarf dace is made up
from the hu xuan wu of the Tang Dyn-
asty. It is a kind of quick spinning
dance. Originally the dancers were all
male, then some female dancers were
added.

Heavenly Angel Scarf dance is a kind
enthusiastic dance. The dancers spin
clockwise suddenly then spin counter-
clock wise in a very fast speed. They
change different kind of dance steps and
swing their bodies up and down. The
faster rhythm of the music goes, the
faster the dancer dances.


We were quick
and wanted to please

People told us we were clever
but that was because
we didn’t ask for much
and were happy as we were
until the uncertainties

when those things
that had trod behind
all through the years
as offspring close and owning
came in to shelter
taking space

with questions we didn’t know
nor answers

but we kept ancestral
in the old house
spoke the old words
and slowed down
lest we do too much
or miss a step




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5. Offering Bodhisattva

(from cave 328, Mogao Grottoes)


Offering Bodhisattva put the palm to-
gether kneel with single leg. Their app-
earances are very pious. It present the
skillful sculpture technique in Tang
Dynasty. Whatever hair, ornament or
skirts are very realisticall. Dancers try
to fathom the facial expression of offer-
ing bodhisattva. They express the inner
world of Bodhisattva with elegant and
pious motion.


There was our space

who’s and what is it
what do we do

We filled it with music and God

which made it will a need
to conform
a sort of obedience
round which we hung our lives
knowing and predictable

As others saw
wise in all good sense
admirably made
and subtle enough
as times shift

But we didn’t see the changes
nor change to them
until they took us
as they do by hymn and rite

Now you’re there too
part of it




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6. Four Heavenly Kings

(from cave 331, Mogao Grottoes)


Four Heavenly Kings, also named four
guardian kings, represent favourable
weather, prosperous country, an abun-
dant harvest and peaceful world.

Eastern heavenly king is named protec-
ting-country. It means protecting coun-
try and people.

Western heavenly king is named wide-
eye. He always watches the world and
protects people.

Southern heavenly king is named en-
hancement. He is able to make people
enhance their kindness.

The northern heavenly king is named
broad - hearing. He can hear all the
sound from every direction. He holds a
treasure umbrella to conquer devils and
protect people’s fortune.


They have died in my arms

I looked in their eyes
and saw where they go
which is comfort

Though not to be said in words
That at any one time we are
none of us
sure where we are

Had we known
we would have been more alive
but we lived easy
protected to near the end
by Music and God

which always make
the height and depth
seem real

As they are
though in tact
and for reasons of ease
we prefer them to be figured




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7




7. Sun & Moon Light Angels

(from cave 285, Mogao Grottoes)


No 285 cave is abundant with skill-
fully painted and colorful paintings. On
the top there are traditional Chinese
style paintings. However on the wall
there are all Buddhist paintings.

On the western wall there are many
angels paintings, for example sun angel
and moon angel. This dance is adapted
from the sun and moon angels on the
wall paintings. We design circle white
screen, special lighting and shadow style
dance. It shows the beautiful but imag-
inary and dreaming world.


You said
it would best work out
if our motives
perspectives
and facts
were considered

That was a moderating thought
until in our middle years
we saw the backward force
discrete and great
whose order is its own
that bears no reference
to us in both our lives

We’ll plan for later years
you said
and we did
a pretty plan

Now I alone am left
to make consequence
and hold in my one hand
life after life
and life again
for two




•


8




8. Green Tara

(from cave 4, Yulin Grottoes)


Green Tara is the incarnation of Ava-
lokitecvara. She can save unlimited
amount of people very powerfully.
When the world gets worse, the ability
of green tara will become more power-
fully. There are each three green taras
on right and left side. Along with the
middle one, there are seven green taras
in the wall paintings. This is the repre-
sentative work in the Yu - Lin Cave.
This dance is designed according to the
painting. There are 7 dancers to pre-
sent the mercy and power of green taras


then there were the kids
We thought they were ours
in our power
to make
as one does an artefact

Touch here
touch there
add pare make straight
and fortify
as if we were to mix and bake

The strength
was for a jungle world
but we didn’t say that

We said we had the pattern
our goal
was fullness
in limb and mind
but they had their own

We missed
in liberality




•


9




9. Mandala

(from cave 4, Yulin Grottoes)


Vajra-dhatu mandala is drawn accord-
ing to the Vajradhatu sutra. There are
nine squares. In the middle is Vairo-
cana Buddha, the upper one is Amita-
bhana Buddha, the lower one is Ra tna
-samb - hava Buddha. Vajra - dhatu
means that the wisdom is like dimond
and cannot be destroied. Mandala mean
enlightenment. Vajra - dhatu mandala
represent the wisdom of Vairocana
Buddha. It is also called Wisdom man-
dala.


The pattern
how does it go —
round square
or is it mystic
seen at the altar shimmering

You put it in craft
and I on the page
a magic
we hoped
that would still the whirl
And make order for us

You went
and left me with belief —
Things always work out in the end
but not always

It’s a thread running through
and starts with faith:

God
is how we people space

Eternity’s Bach
because of the rhythm



•

© Leicester Kyle, November 2002



•

Wednesday

A Wedding in Tintown (2002)




•


1




ARGUMENT

You may be one of those who think that every human ill is fixed by supplementary prick or pill

You might never have thought of what it is we really do

And be quite content to follow along the tradition without a doubt as in a contented marriage

There’s virtue in an attitude that never stops to doubt

For much of this world’s necessary labour’s done by those who rarely wonder why

So in this work there’s little explanation

I settle down the facts and illustrate the matter

Though I have an inclination in me wanting to reveal itself to tell and teach the reasons why

There’s so much in this place and passage like no other

But fear that it would spoil the story smear the paint confuse

Here and there I’ll make the point and pass on to incident and hint

Of word and further ritual implicit in proceedings of a sociological spin

That might invoke a useful pause to ponder why it is we do and make these rites

That hold our nation and each other in this form

With no intention ever to undermine or subjugate existence

Though that’s not here nor there

And rather begs the question that’s inevitably asked of why it is we have

Identity commemorate have sex and anniversaries get married kids a partner die remember that we die have houses sleep a pension memories and fads



•


2



2
The
marriage

We held it at the picnic table by the road down
Where you look along the many-headed coast
There they signed the documents
There were several hundred of us
And we blocked the road against trucks and bad-tempered traffic
Climbed the cliff on the inland side for view
Hung from rock and bush and coloured umbrellas
Filmed and sang and clapped as they kissed
And told them to stand here and there and smile at the sun that shone in their faces
For they stood with their backs against
That unending bush that has no stop until the sea (green cloud
on the ground
) and Tasman Mountains

An elder did a karakia
A priest took the vows
They each read poems gave hugs gave rings gave promises of
love and freedom
Messed about a bit to greet the guests and condescended
Took wine to toast each other and the day
Waved at the local lads in black sunglasses
Then so happy it had all gone well (weather family everything)
We
begin
to tire show impatience have a smoke stretch in the sun want to get on with the meet the food the drink the course of the rite that must proceed before fulfilment in this impulse old as the hill we’re on so we look around for someone we know who might want a lift and a talk then
we



•


3



3
Modes of
Transport

All get into our cars
In smoke and bits of tin and dust and plastic rag
Toyota Corollas Falcons a Chev or two a Rover a Landrover '68
something heavy out of Russia and a Ford four-wheel drives of
other sorts of composite kinds with different panels mostly Brit
and USA and a Merc
Not warranted unregistered borrowed plates fake stickers and
charms
For invisibility
Hanging in the front
To help us get past the police once a week to the shops
And to regulatory musts like licences for gun and dog the courts
the vet and maybe the rates
That prop the System we despise though use for sickness power
the road and the dole
And for going behind the law
But not to confront it

We are furious in our speed into town
Confident back from our parties
Which sometimes let us down
But our mates are here for support
And will get us back on the road with hawsers
And that interesting instinct for angles and obstacles
Which is of the male
And is why we live in this place
It’s
a
gift and a choice that we’ve made for the free we call free in this condition of being we don’t examine lest we see the hooks and catches of this choice that set us on the course we don’t want our children to fall to and this is an affirmation so we all feel one
today



•


4



4
The
People

It’s evening now
A tawny light is rising from the moors
Reflection stored from the sun of the day let loose now for
guidance
But in clothes as dark as the homes we’ve left
We bring our dusk

There should be lions and leopards in the bush
And someone ineffable to greet us
As we climb the concrete steps
To stand inside the double doors in ever-widening mass
Moving out and spreading up constrained by expected formality
The men in beards and close-cut jeans
Not showing their impatience for a beer and a joint
They look Irish and about to be challenged
The women wear long dresses layed-over clothes and practical
feet
They make a show in knowing all ignoring some
With influence untidy hair and tightly-held prestige
In part-time jobs and recipes for emollients
Everyone looks forty-ish
That they come from another decade
Of ideals that haven’t happened
Out-of-date sex and
Intimidatory

Light can hardly penetrate the dust of all these people
The corners stay obscure
As
they
ought and we don’t want to look for the clutter the made-a-hash-of-it forgotten things time past they represent and dust of ages energy long stored and hope discard those half-attempted put aside and promises which mount in country halls
in



•


5



5
Our
Architec-
ture

This tin box in camouflage
For that great day when nation shall war against nation and
mountains shall be levelled
That end-of-order day beloved by hippies that will make their
terrors and their melancholy cosmic
Painted also as a mark of the crop which must be hunted from
above each new year
Inside it’s pink
There is grit underfoot
That can never be rid
From the sandstone
The stage at the end of the oiled floor the kitchen behind
It’s geared for a film that’s never shown with cinema seats
We sit with our women or mix at the door
Or look for the bar out the side door an old urinal
With a hatch that isn’t serving yet but is a saving
And is sometimes licensed if the Constable’s not grumpy
The convenience near has a notice ‘DUMP HERE’
And another ‘Use With Care’ for the porcelain base is cracked
and leaks
Like the water tank
Like the pipes which tangle on the outside of the hall
Like the zip in the kitchen
For we haven’t much money to keep things going
And just scrape by
From
one
benefit to another in competence grit teeth set to do our way get goals defy and desperate from obstruction by this fucked-up civilisation grasp at any strength that’s growing for self-maintenance to occupy ourselves for time can hang heavy an hour prolong to drugged sleep or boredom
so



•


6



6
Manu-
factures

Many of us make things in sheds we’ve tacked up
Contrived and equipped by that ingenuity that’s driven us here
That couldn’t set itself to work in city life but here in the stress of
survival
Makes scarves and knives jackets of opossum skin barometers
bone-carvings mats flax kits gin stained glass shawls
And mystic things of beads
Which are sold at the co-operative below
A focus for those negative rays the beads are meant to stop
Which generate in craft breed guile from artistic stress and
politics of pre-eminence
Fears of slight lost income spent prestige
In search for an embodiment of skill that all would see and know
for genius
Then buy and make the maker
Some women turn to ministry of massage homeopathy
Men to stone to carpentry or car
In the shed when it’s raining
Though when it’s added up it’s found we’ve spent more than We’ve made but we don’t mind
It’s good to be good at some
Thing
to
sell or boast or give away as part of the self that makes me shops and stalls and garage sales the craft co-op and even pain of failure mythic aims perfection falling short laments and might-have-beens the politics of art we’ve brought here for the Bride and Groom and put it
on



•


7



7
Imple-
ments

The table at the foot of the stage
Under an arch of punga fronds
The Bridegroom wanted money so they could travel
But we gave for the Bride to help them to be useful
To cook to sleep to love
To garden clean to be enlightened read and eat to rest
Craft and decorate mind the crop the weed-in-the-bush or
hydroponically
(within the customs of the tribe)
Someone’s left a rock with power
Agate or chalcedony to channel forces for them both and to
speak to humankind
But there’s no need the family’s here the vibes are good
There are cooking pots and casseroles from down the hill
Sheets towels spades a broom
A slasher for the bush
Tapes CDs a mobile phone some cutlery and storage ware
Designed to set a couple in economy
Loving adults in their nest and
Capable
of
leadership based on experience of life afflatus of the age feet in the earth and mystic vision the senior has who can sit in the sun and solve things and when it rains then seekers will repair to consult condensed for the good of us all and applied a healing balm for the short time guidance for the long so that every town should have one
and



•


8



8
Susten-
ance

At length (it’s always lengthy)
Food is brought out and brought forward in casseroles and
covered plates
And put on an island of tables
It’s a pot-luck dinner so we’ve made the meal and know that
there is
Whitebait from the river mouth and free-range eggs
Goat-meat curry in coco cream
Mussels from the Point smoked eel paua from over the hill and
watercress
Blackball sausages in chick-pea stew
Mutton-bird pie
Kewai soup
Christie made the wedding cake and Eva iced it
Someone’s brought some venison kebabs
There’s blackberries-and-cream from the farm at the crossing
And cannabis wine in greenish bottles smelling like spinach
All things from our soil and sea the creeks and greens
And pot-laced cakes that no-one will know

We patiently stand to talk and not look
And drink a lot at the common bar where everyone’s put something tequila-and-lemon home-made wines rums and whiskies black beers sticky spirits and anything with
Coke
for
comfort we need the comfort we tell ourselves on this mountain where it gets so wet and cold in the fog and the houses rot and the boots decay and there’s nothing else to do but drugs and television food and sex when it’s around and grow the Weed for all these things while we’re waiting
for



•


9



9
Grades of
Rank

The Bride and Groom to make a show
They’ve been putting things right out the back and come in the
door arm in arm
He’s aquiline she’s Middle East or something of that sort
And paints New Age
They’ve been here a long time are constant in ascendancy
Know everyone and all that does and ought and why
Hold parties people children power and politics
Accept reject direct the course of things
We now and then stage small revolts which let off steam and
startle them
But generally accept their rank with gratitude
For you need someone dominant when you live near the edge

It’s their night they’ve paid for it
We clap them as they come in with their children and
grandchildren
They smile and wave and lead us to the dinner
There are plenty of plates but not enough tools
There’s nothing wrong with fingers
As long as you choose the right food
Use
judgement
no greed good speed don’t push the man in front don’t grab don’t tip the plate nor spill and drop food onto restless feet get combative do smile and don’t mind doing without a dish you want it’s only once and you can have a good breakfast tomorrow so consider it’s only luck and you can be spot on if you talk across the table while you’re doing it
unless



•


10



10
Domestic
Amenities

There’s crisis and the water fails
It doesn’t matter much because the toilet’s breaking up and
there’s the bush
But it’s bad in the kitchen for the children and the hygiene
For coffee and tea afters
Se we ought to put it right

Our water comes from up the hill
From a stream that never dries
It comes to us in alkathene pipes
Across the valley and under the road
To house and hall
Springing leaks and parting joints wherever they lie forgotten
Into catastrophe
Panic overtakes us and drought and we search in the bushes
Tangled in the dark the blackberry montbretia
Until someone calls out here’s the fucking cause of the trouble
And pushes it together

We go back in rejoicing
Once again we men have won
But pipes tend to trouble at night it’s the moon
And in our hearts we know they’ve just
Begun
because
this is the way things go in seasons and in times appropriate to nature and you can sense it if you train yourself up and use your finer parts to tell the way it all blows and rhythms discern that it’s time to be tested and prophesy with a delicate force that it doesn’t much matter
as



•


11



11
Social
Sentiment

This is a family event
So there’s not the sharp edge of sex that’s usual round here
Like at the harvest dance when everyone wants to get laid
There’s a lot of single men in this town
It’s where we come to repair the damage
And find a woman elsewhere anywhere over the hill
With the western mystique the outlaw thing the tough and wild
and fringe
Which a woman likes who likes the rough and the Weed as well
Too much spoils it
A little does a lot
Strengthens and lengthens the pleasure
Of love on the hill
In a big bed by firelight
With the fog and the wind and the rain outside so thick there’s
nothing real
It isn’t done to take another’s
It isn’t done to talk of it
The women may — that’s nature
But we men like to do our job and have a
Reputation
that
goes without saying and become a known entity valued in the community or feared for a certain competence but at least marked out by talent or trait that’s yours alone and may be indescribable a worth which makes for apart a puff a paean of praise is
why



•


12



12
Polygamy
&
Divorce

We’re happy today
It’s good they’ve gone straight after all this time
Mostly a man moves in and all’s well as long as he does his work
In the bed on the house round the grounds on the car
And works at the plot for the crop in the bush
So that nothing gets caught by police
That he fits and doesn’t make trouble
That he doesn’t talk and is strong where it counts
It’s the woman who kicks out the man
There’s no need for the law
Some men have more than one which is good if you’re made this
way and everyone agrees
But bitter if you’re not
The old law of one to one is mostly followed here
And if it seems right and goes on for a time and there’s a balance
which doesn’t tip too far
And if they are loyal and want to be
Then they might go legal
Especially if there are kids and there’s money and they like each Other
in
that mutual way which is easy to see that they fit that they’re down the same street and do the same things are good for society a stable force together whatever else you might say and we do too though some of us think
that



•


13



13
Customary
Law

There should be a speech or two before the food goes grey
And messages from those who can’t attend
But the best man isn’t here and hasn’t been seen since Friday
When he was at court to change his fines to community work
For all his traffic troubles
Offences of the unwarranted sort speeding and unregistered
But he drove to town and caught another ticket
We’re sorry for him and understand
He was due to go legal the very next day
But now he’s gone bush
He should be at the wedding instead of shooting goats
Though we don’t much think of that for this is the way the
system goes and we sympathise
With his frustration which is always in our minds too
At a law which is made by those who can’t afford it
And doesn’t much help the people on the edge
It’s mostly made for those inside
Which makes us want to irritate the police and the establishment
To tease the constable
Until he gives up and buys a fish-and-chip
Shop
for
change from strain and security in some other town where the kids won’t throw stones on the roof poke rude things in the letter box cause allergies or drive him into wild asthmatic doubt of what he sees
to



•


14



14
Imbibe-
ments

The left of the stage
By the stairs that go up to the kitchen
On a small trestle
Are three kegs
They’re hired from the liquor store
And gleam womb-like in their corner
That invites and is repeated in the glass around the cups and jugs
Which may later be returned to those who own them or be lost
and counted as gifts to the hall
Which is short of utensils of every type
For they get taken outside by patrons who want to drink in the
view
Of the moors and the sea (which goes on over to Australia)
They sit on benches made from railway sleepers
Or lie in the long grass to talk
By that notice nicked from the refuse station
Which says ‘Dump Here’
Which they do with their plates and cups and bottles in the
weeds
To be found a century later maybe and put in a museum
Analysed for period and mistaken for use
But of value to the
Fancy
which
is use for the past besides discard and the chain of cause and effect the mystery by which we exist the gratitude that fortifies elucidates our state of things build colleges and halls to hoard the artefacts on which we found the notion
that



•


15



15
Usufruc-
tuary

The Bride and Groom are doing well
But we wonder how they’re paying for this
Guest bring food and some booze but a lot of it’s had to be
bought
They’ve done up the house for the guests
And had a water-tank installed an indoor lav and leaks stopped
There’s the cost of hospitality and then of course new clothes
Money here’s not made the same way
It’s around but it doesn’t do the work
A lot of the best is got without it
Is paid for at harvest time with the weed in its various forms
There’s a ledger kept of good turns done
Like a saving from the law a lift a hint in time
Cars and motor bikes arrive and then as quietly move to other
hands
A shed’s put up a hut appears and something’s fixed that hasn’t
gone for years
yet no-one knows how or why the means
And how he’s got the dough to do it

Will they be in hock for years
Or have they been clever
And traded their
Poverty
as



•


16



16
Credulity
The Bridegroom bangs and calls for quiet
‘Grace’ he calls ‘We’re going to say grace’
He announces in a cultured tone
At a time like this he camps his style
‘Right’ he says ‘Thank you Helen Clark for all this food and
please give us money to buy some more’
‘Right’ he says ‘You can start if you want’
There’s not much space for religion here it doesn’t seem to fit
Ecstasy’s got by chemical means and there aren’t any ghosts
Now and then someone gets converted
Goes on the radio and rebukes us
That’s usually when there isn’t any grass and comfort’s at a
premium
It doesn’t last and usually ends in bed with a new partner
The sea below and the hills above give us something
Like the tranquil presence of a greater force
And we believe in luck
But not an actual god for that’s all part of the System and we
don’t believe in
Anything that’s been devised for
Dominance
and
subvert like we would another boss we keep our own tradition make a singular service keep a peace of major time for major things and never waste an initiative though that’s alright in its place so now’s the time that we think of strength and sustenance
so



•


17



17
Fruits &
Vegetables

We file around at the back of the feast
For plate knife fork and a paper napkin
The tables are crowded with food in bowls and casseroles the
wedding cake and two huge
Vases of sedge and Ghania which blossoms only now and then
and this year’s doing well
The Bride’s bouquet is by the cake
Of herbs for essential oils
We go slowly as some guests can’t decide on their choice
They hesitate as if it is important
As if goat curry will make their day but casserole will kill it
Some argue with their relatives and try to convict a change of
choice
To make ultimate a mussel oyster cous-cous bean
Some not to eat at all
To take a later chance from leavings
But we come to our goal and can sit
Somewhere around the edge of the room
The plate on our knee with care
Not so much from hunger though this does count
As from the need to complete to be part do our thing
In communion with the rite
Which
is
vague virtue in a pious sort we approach in the usual way by stance and quiet self-conscious look kept dignity not lessened by the numbers of the crowd nor plates of choice which do humiliate if let by those who cook and taste to not come up to this not saying much nor signalling
with



•


18



18
Etiquette
The plate of food in one hand level
Fork and napkin in the other
We look for a seat by sense and instinct not by plan
Unless there’s been the forethought to book
Which a man does by putting his six-pack on the seat
A claim honoured by the men
But a woman will take it
And keep her place with some personal thing that none of any
sex will touch
And then there’s the choice of company
By whom to sit by partner or by friend
Not by Lew who lives in the bush and doesn’t wash
And smells so pungently from sweat and pot
That even the flies go sleepy they say
Nor by Mal who grabs you if you get too close to say
‘I’ve only grown pot and poppies before
But Jeez you should see my supertom now’
Some things are best not talked about
Like cannabis cars and wealth
Which feed the paranoia of the time
And might be overheard passed on enhanced and sped along the
coast the gossip line
To town and police from pubs street meetings jealousy
Wherever we might find ourselves we generally go safe
And talk of local politics the evils of the mine
A folly rain a craft some sports tough times and bikes
Then when tedium grows to
Tiredness
we
move by excuse or fabricate call by business friend an urgent need out to the wilderness of face in search of ease or entertainment strike a spark but no contention no offence reprise of injury past a pleasure please and somebody to relate in the pub a trophy to distinguish in the mists of time
for



•


19



19
Causes of
Division

Fog is the cause of most of the trouble
And age
Which rolls in like fog and hangs around with time
Shuts out the sun dims sight
And seems like the present to never go away
Until a cold wind from over the hill puts an end to it all
For the future is always someone else’s until it comes again
To be repossessed by the young
So the past is a series of take-overs
For each of which we’re unprepared
But feel better when they do it thinking
‘After all I’ve done it for the town
Who would have done it if I hadn’t
Look at all the times I’ve done it all myself’
We go into a sulk and stay at home
Don’t go to parties boycott meetings
Grumble in a confidant’s ear of thanklessness by others until
The signal sounds of total loss if we stay like this
So we start repairs and saunter back with nonchalance
Wise saws hints of virtue unexpressed so far
But offered now for use
Everyone for the common good says Welcome
Doesn’t mention absence
And lets me
Back
within
the bounds of trust consensus drawn like a circle of fire with music myth and caution for guidance test tact and learned observation to give the people life to let be the community which mightn’t be the same as other ones
because



•


20



20
Origins of
the People

We think as Coasters people of the west
Though we’re refugees each one to tell the truth
But don’t tell it we wear our dark disguise dress in beards old
clothes and gumboots
Watch the weather learn the trees tide timetables old sites and
how it used to be
Past episodes of note and how the seasons were
Profess a hate of city life and scoff at Over the Hill
Identify so closely with these rocks and hills we can only be seen
when we move
That we don’t fit in the old familiar world
Of costly pleasures
Rebarbative days and duties without relief
Morals that have no point
Weights no strength can lift debts beyond repayment homes as
dull as desiderata lists
Joyless jobs and loveless domesticity
And goals no society should impose
So we invent our own traditions myths and legends of the lost so
that
Though rootless we might somehow take be epiphyte or sub-
Terraneously thrive without a past
And be entirely in the present day
Indigenous

Something may take the rest of the world
Ebola plague or HIV
But we of the hill will be
Saved
to
reseed humanity to bring the species back to the simple life of hard work and vegetables dominance of the male women to the tubs hunted meat no phone nor electricity and authority removed decentralised the police made polite because we know in our bones of
course



•


21



21
Moral
Faculties

There’s bound to be a threat or fight
And it’s bound to be the Bridegroom who dominates the scene
It’s in his affect as they call it or his psyche
His nature or whatever to start a fight or threaten but not let it
out of hand
As this with Steve who’s always hearing snatches seeing glimpses
of rare things that haven’t been around for years
Like kiwis which he says he heard down by the bridge last month
He tells the tale with vigour wide arm gestures loud and long
We heard it too a weka
But we let him have his fuss
We come to his defence
Gather round and loudly claim that kiwis come here often
Make a row that others stop to listen join in
Until the Bridegroom overhears and in new shoes and feeling
great comes over to the group
Is tempted to be patriarch protector cantor stentor
‘You Flatlanders’ he bellows ‘Out of it Get out of it
We don’t want you making trouble
Kiwis come here all the time’
Which stops the trouble makes them quiet
Not leave nor
Believe
for
they have that respect for the lawless which binds our society together a creative commonality sense of success beyond the safe short cut to achievement that no-one else would take for fear of fine and confiscation public gossip
which



•


22



22
Natural
Propen-
sities

Is a curious thing over here
That everyone wants to know and to be known
To yet retain their privacy a city thing though contrary to natural
tact and needing to be sorted
For with the knowledge of the good there goes the bad
Of things of ignorance and will to dint one's self-esteem
And prompt the talk we fear from over the fence the bar outside
the shop at bowls at working bees and power groups
That make us interesting able to be diminished or exalted by
good will or prejudice
Laid bare at social dinners like snapper from the rocks bones
only left to pick on
The thought alone breeds dread so we manage by judicious
choice of contact group and friend
Drop hints make trails and heroise if we can
Unnatural trials cruel pasts hid skills that only need the call for
Use and open play for betterment of self and this society that we
so long to love and flourish make
Distinguished in our likeness
Nothing we are able to have is what we are searching for we say
While what does seem the real thing remains beyond our reach
Yet there is a dignity
Perhaps it's from the sea that bursts along this adolescent coast
Its rhythms in our hearts light eyes
Breath of the hills in our lungs and minds
With clarity of vigour to make space for perspective and
Attention that small matters need that skitter in a random way
Before there's a chance to identify
Like knowing you're alive before you die
Which gives a small nobility
An edge beyond the city cousin's
Knowingness
we
hold and nurture in our hearts to dignity pleased that others envy us because we're getting older and soon must settle down or join a bikie gang stop living in rotting houses get warm and well fed and lose a bit of weight before the joints seize up but just
now



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23



23
Are We
Autoc-
thones

Our hosts move round encouraging us to eat
They have some time for each of us
We are their family neighbours friends past lovers
And they in their stability our core a pivot on which to turn to
face whatever comes
For the village is like the bush it grows to fill in every space has
sun and shadow
Leaves no place untenanted
We’ve now no thought of never having been here
Our time and permanence is made from this
Of coal and wood and water and the plants we grow in it
Strength for the long dark days of fog the winter sleets the winds
that wear us
That burn the greens
That bruise our sleep
The lightning strikes and black-outs
There’s no-one else and hasn’t been
Moss and creeping things will move to cover the road and rot
When we go
A flood will take the water pipe
A wind will take the hall
And one by one each house will fall to the adventitious
Tree
which
grows among the vegetables like weeds in cracks in the path the edge of the lawn the chimney round the chopping block the garage so fruitful is this place that we keep ourselves dry lest we get lichenous and envy none lest we stay green though they might envy us
who



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24



24
Oratory
Are elitist and we overlook the other towns
Down there by the sea
A thousand feet down and eaten by the sea

It’s time for a speech
Our hosts to say the usual things
We like to keep the customs to make use of them
As we now do with jeer and wit
They being at our mercy if only by tradition
Smart-alec sex is not much use
They’ve been together two decades and can’t pretend to
innocence
Nor surprise at complexity and consequence
Some young lads try
To their shame
For the Bride grins
The guests grow apprehensive
The bridegroom stands in panoply
His tongue a sharp sword
His fists intimidate
And we hope he
Doesn’t
lose his cool for reason of drink or nervousness at the occasion be caught on the hop and an awful scene blossom out like fire in fat in the pan a catastrophe where peace was set so common here at things like this no don’t don’t we say to ourselves through gritted teeth and brace to do we know not what
then



•


25



25
Division
of
Labour

To our surprise it’s the Bride who speaks
It is usually she who listens with an interior grin unnerving
To a man who is serious in his words
And she welcomes us with nothing new
Formalities well put and pleasing
For those who like the niceties observed and graceful
For her friends and family from the north in kiwi-fruit
Intimidated by our hill and heaviness our freedom with it in these
spaces ours
This rock wilderness tapped springs old shit-houses tin-backed
shacks old cars and jobless
Is our richness
We can move in it
Which shows in her authority
And in her self-
Respect
as
we appreciate it’s us our place we’ve pride in and defend as I’ve already said and emphasise to those who think us shameless in a bourgeois sense no decent middle values fond of anything that undermines the future past and isn’t now keep losing things forget them when we
note



•


26



26
Games &
Diversions

The Couple move to centre
Where they stand before the cake
Which is baked into a house-truck by the Brothers Grimm a joke
upon us all
Who fear the gypsies and their unaccountability
And their own past
Before they settled here and stopped their wandering for the kids
They hold the knife with one hand each together
Poised above as if to lunge to kill
And smile at the photographers
Who call to them to heighten the occasion
For a smile and a look at the lens
The nearest thing to an action shot
Unless it be at the dance to follow
Or a fight
Or something else wild with alcohol
And the younger lads who stand staunch at the back
With their hands in their front pockets and dark glasses

The cake is sacrificial
To be distributed dismembered
As a symbol of the past
Of contrary affections
Though no-body takes it for
Real
yet
in a deeper sense we probably do in that deep sense where images work unquestioned mixing melding re-aligning while we don't think deep floods the road fires burn the bush white horses charge the sun we float invisible know it's a dream and
that



•


27



27
Acquired
Habits

There’s not enough
For hospitality
We need space
The fire at night
Freedom for the television books and habit episodes of peace
Regain of strength for patience for
The next day’s self-control
There’s also possession of time the need to make the water run
The cold at bay
The leak in the roof the chimney clean the veges grow
For life so hardly earned there’s nothing spare to share
Nor much to show of refrigerated skill
And culinary

The home is kept
and private for
Survival
and
a party now and then to keep in trust in knowing and in speech and not too feared it’s easy to fall into fear at harvest with the bong and the bud to see the police in everyone more threat to growth and sale and the skin-heads coming but
now



•


28



28
Musical
Instru-
ments

The Bridegroom calls the band
Whose leader is the saxophone
With cap moustache sophisticate
And a bend at the knees with suede shoes and looks cool
Though this one is of interest and a concern
For buying land up further north
Eighteen grand
He paid cash
His wife’s he said from Australia to cover
So they wouldn’t ask where it came from

A man likes to flash his cash
And we all understand but
He was so innocent so impenitent
And it doesn’t go with the saxophone
A good little band with no drums to dance
And doesn’t drown the talk
Everyone wants to talk he knows
About him

He feels like doing a Charlie Parker
Playing to the
Cows
but
not for long he doesn’t grudge he likes the crowd and knows them almost everyone but likes the music over all and likes the instrument would play to himself if there wasn’t a crowd a band or an audience and knows his place and function
that



•


29



29
Social
Manage-
ment

We’re mostly of the couple’s age
Been married once or twice ourselves
And want to talk a lot from the complexities of life
Pressed close in small places

We dance or we talk
The band plays our tunes
And the youngsters go out to the fire
The police won’t bother as they know we police ourselves
But they’ll be waiting at the bottom
In their cars at the crossing

The party trots along and does its work
There’s plenty of room and plenty of food
The couple move and mingle
Beer is free
Here and there a fight breaks out
Like leaks in a dam we think
Is stopped patched up and soon put right
there are ancient animosities
But this is a gathering for
Friends
that’s
drawing near its end for tiredness mostly I suppose we’re getting tired seen all our friends said all we have to say have heard it all have done it before have eaten and drunken and flirted a bit to test if we have still the knack a few will want to stay till dawn
they



•


30



30
The
Taboo

Already are looking for somewhere to sleep
They roam around the hall as if they want to confide
Dragging and restless
Some are curled on the floor
Or outside under bushes
Bobby is urgent and mutters
‘I want to crash man give me a place to crash’
In an Aussie whine and creepy
Looking in corners under tables into others’ spaces and private
places
Until he can’t be born and he’s put out
But he wanders around to the women’s room
Where they find him asleep and make a fuss
Then two of the blokes go out to get him
Truss him though leaving his legs
And run him sobbing down the hill
To hitch his own way off the Coast
Never to
Return
which is probably in his character he’s always been like this it might be drugs or something someone said his missus might help whoever she is it’s hard to tell or a new car but he drives with one hand on his dick the other on the wheel they say or it might have been the wrong brand of booze for him though that doesn’t matter much
because



•


31



31
Intoxi-
cants

We like our beer
Bottled draught cold
Ice with spirits
Tequila with lemon
And cactus at parties
The clear brew that’s boiled then left
From the pith to settle and ferment
It lets you level with the others
It opens your mind to social things and doesn’t make fear or
suspicion
Like pot or a rush like speed
Which puts you into a faster lane than anyone else with
difficulties
It’s the best at parties where you want to meet and talk
It doesn’t interfere with your eyes
It’s a cool male thing with
Mescalyn
it
doesn’t touch some the sort who never go drunk who knock it back and still stand still with their hands in their pockets smoke their whole stash and never get runny eyes scoff a tequila and look for another and just get calmer as the night goes though
others



•


32



32
Morrie
Like Morrie get locked in the chiller
He’s had to go home to get warm
Because he made himself an irritant by arguing all the time
A big man and Neanderthal who pushes into groups
With a loud voice for challenging those ordinary things that are
said in social ease
Not logical sense to keep the talk flowing
So he’s always out of place when he’s drunk
At parties like this
In greed for drink
That got him into the chiller
Where we found him blue and
Asleep
like
a lot of people not responsible now acting off the tops of their heads and dim trying to do the right lurch to the left and getting polite and talking a lot and putting it right over and over
until



•


33



33
Nan
Someone goes off with Nan’s wooden leg
She’s got herself into a scrap which she often does at the end
Because she drinks hard and stays on till the beer runs out and
bellicose
With the little group that’s going to the Rehab.
Ron and Jennie Jo Bernice Dave and Pete and Benny who are
nerving themselves
They know what’s got to be
It’s a nice leg and she’s proud of it
With a lacquered foot a flowered shank
She likes to go shoeless so people will see
But she forgets when she’s drunk and starts pushing around and
Cast hopping and cursing and
Frantic until it’s returned
But she’s
Still
helpless in her disability not standing now on two legs crying in her drunken rage crouched on the floor to hide her face a lumpen in a red dress but she’s alright and doesn’t get moved we just go round round go round it’s the end of the
night



•


34



34
Pets
Mal’s percussion in the band
He’s brought his kitten with him
Very small and black and white
Confident as no man would
It likes the sound or at least is used
For it hangs around the cases and the music on the floor
And then goes off oblivious
Under the tables and under the chairs
To the big side door where it strays
To the light of the bonfire lit by the bar
Of driftwood trunks and whole small trees in a wigwam of wood
For the youngsters who lie there
To smoke the local Weed and drink and dream
To make the softer sorts of love that fires evoke
One finds the kitten at his feet
And throws it over the flames to his mate
As Mal comes to look
And boots the kid on the head
Who cries right man yeah man that’s all right man right



•


35



35
Our
Manner of
Dying

At two o’clock the fog’s still in
The dark is thick
I say to my friend Let’s go
So we cross over to my house
Through the fog the wet and swirling fog
I turn up the fire
Where we take our tea and talk
Of quick light things that interest

We can hear from the party the drums and the yells
By-play at the cars outside
The incompetence

It’s a bond between
Sympathy that speaks
A voice

Of light and bright containment touch
And all’s released
We’re here in bed
Pleased with ourselves to have had the sense

Of lotus sweet
flesh and rest
pleasurable haste
Joyfully we soar aloft to the exalted skies
then sleep



•


© Leicester Kyle, July 2002



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